IRCC 8

The Eighth Annual Italian Renaissance Costuming Challenge


April 1 to July 31, 2018


HOME ENTRANTS FINALISTS RESULTS




Susan Malovrh
Wisconsin, USA

I enjoy sewing costumes more than real clothes any day! This challenge has introduced me to many new things the past half dozen years and I’m back to see what new skills I can acquire.

My plan is to make a partlet with a falling ruff, a Venetian style late 1500’s dress, and a loose gown. Accessories planned include a flag fan, veil, hankie, and jewelry.

 

The Completed Outfit

 


Layer 1: Partlet with falling ruff

The partlet with falling ruff was made from linen fabric. I used a pleating machine to gather the edge. I hand hemmed the outer ruff edge encasing a piece of heavy fishing line to give it more shape. I used a shirt pattern to cut the partlet front and back which I machine sewed together, added the ruff, and machine sewed a neckband over it. The edges were machine hemmed and ribbons were added at the sides. I left the front open.





Layer 2: Gown (Incomplete at deadline)

The gown was incomplete but well underway. The gown was made from a thrift store curtain. The skirt of three panels were hand whip-stitched together and hand cartridge-pleated with a piece of fabric lining machine sewn to the top edge to plump the pleats. The bodice lining and interlining were machine stitched together with boning channels. Plastic zip ties were used for the boning. Two strips of gross grain ribbon were sewn down the bodice lining front on both sides for the ladder lacing. The sleeves were done by sewing v’s and turning the cap lining. They gave me the right look, though I believe fraying may be a problem in the future even though I top stitched the V’s. The skirt, bodice, and sleeves needed to still be sewn together.





Layer 3: Loose Gown

The loose gown was also made from a thrift store curtain. I based the pattern on ones found in Janet Arnold’s Patterns of Fashion 3. I first pleated the back then the front and back panels were machine stitched with side gores. Scallop edge sleeves were lined and set in. A small standup collar was added. White weasel furs were hand stitched together and then machine stitched to the gown front with a strip of lining and around the collar. A metal clasp was added to close it loosely.






Layer 4, Accessories: Hankie, Flag Fan, Jewelry, and Veil

The handkerchief was made from a square of linen with my first attempt at drawn thread work. A row of lace was handsewn around it and a bit of whitework machine embroidered onto it.

The flag fan was made from a piece of parchment stamped in gold. A wooden dowel and lace were painted with the same gold. The lace was machine sewn to the parchment. Holes were punched in the design with a nail and leathercraft tools which gave the stamped design a little dimension. It was then hot glued and nailed to the dowel with some small brads.

Jewelry: The girdle was made by threading some metal designed pieces onto a gross grain ribbon which I tacked down with a little hot glue after spacing them and pearls. I then hand stitched everything down and added a hook on one side and pearl tassel on the other. For the necklace I put a pearl on a beading wire and twisted a top loop to make dangles. I strung these on beading wire alternating with small and large pearls and then crimped the fasteners on the ends.

The veil was made from a triangle of sheer synthetic fabric that was narrowly machine hemmed and then sewn on to a thrift store headband I had reshaped to a v front. I parted my hair down the middle then twisted and bobby pinned my “horns”. The rest of my hair was pulled into a pony tail which was covered with a clip in hair piece I twisted and pinned into a bun.




Thanks so much to Bella. I got stuff out of my stash and made into something. It’s always as much fun to create as it is to watch everyone else’s creations evolve. I love the knowledge that’s shared and the skills attempted and learned.

 

 



First Update

I recently purchased a pleater at an estate sale and wanted a project to use it, so making a partlet with a ruff is the reason that I entered this year’s challenge and I’m building the rest of the outfit around it. My inspiration is found in A Concert in the Garden by Ludovico Pozzerrato.

For the partlet ruff I tore two strips of linen the width of the fabric by 6 ½ inches and sewed the two narrow edges together. I ran one long edge through the pleater just using the first two needles. With it being my first time using it and no instructions, I think it would have been easier to hand or sewing machine gather it, but it was a learning experience. Next I started to narrow hem the outside edge, encasing a piece of fishing line in the hem to give the fabric shape.




I’ve been wanting to try some drawnwork for the last couple years and was always going to make a camicia with drawn or/and cutwork at the neckline, but this year decided to try it on a handkerchief as it would be a fairly small project with potential of actually getting done.

To start, I tore a 14 inch square from linen and narrowly hemmed it. My book with directions came after I started and said to hem after doing the drawnwork so I’m off to a bad start. I’ve started pulling threads for the first rows but have not started the pattern work. If I have time, I will attempt to teach myself bobbin lace to edge it.





I found a wonderful yellow gold curtain at a thrift shop that I decided would work perfect for my loose gown. I looked at a lot of paintings for inspiration and couldn’t settle on any specific one. As the days started ticking by, I thought I just better get started and make my final decisions as I went along.

My gown is also being made from a thrift store curtain. After I opened up the hems, I determined my skirt length and cut rectangles of that. I compared several sleeve patterns and chose one that will give me a puffy top I want for the camicia to peek through.









Several years back, I did a class on paper making and purchased a piece of parchment on eBay that was made out of goat skin using medieval methods of scraping, preparation, preservation, and finishing. As it’s just been sitting around since then, I decided to make my flag fan from it. It measures 4.25 inches by 6 inches.

I found a picture of an extant flag fan on Pinterest I decided to base my recreation on:

Flag fan with white lacework , © MAK Venice, 16th century Parchment, silk Albert Figdor Collection



When I retrieved the parchment from storage, I discovered it had discolored and warped some but I moved forward with it anyway. I taped it over the pattern and tried to trace the design and found I couldn’t see through it clearly enough. I also decided it wasn’t going to be easy to cut it out as my parchment is quite stiff so I now plan to get out my leather craft tool and chisels and try a whole new approach to flag fan construction.

I had hoped to finish so much more by this point but still love to be part of this challenge as it pushes me to try new things and learn old ways.





Second Update


How quickly the month flies by when I'm working on IRCC!

I've continued working on my hankie and am finding that drawn work is very time consuming with not much to show for all that time. I got sets of four threads wrapped on two sides and have started dividing them on the opposite side to get a V pattern.


I finished hemming the ruff outer edge and when I pinned it together, decided It was to deep. I took about an inch and a half off the other side and ran it through the pleater again. I now have it pinned to the partlet and may adjust the placement as I finish the under gown and loose gown before sewing it all together.



Third Update


I finally got the loose gown cut out. I pleated the back, sewed the shoulder seams, and added side gores. I liked the sleeves in the Portrait of a Lady by Girolamo Forni so got out a bowl and traced some scallops onto my sleeve bottoms. I cut the half circles out and stitched the lower edge, clipped, turned, stitched the sleeve and lining underarm seams, ran gathering stitches in the upper sleeves and set them into the gown.




Continuing on with the loose gown, I decided the pleats weren’t laying right, so I took them out and redid them. After pressing with a wet cloth, I was much more satisfied and moved on to adding the little stand up collar. I had a friend help me mark the hem and machine sewed it.

Several years ago I was gifted a box of white weasel pelts and decided to finely put them to use as ermine trim down the front of the loose gown. I am in the process of stitching them together.




For the veil I used a piece of sheer polyester fabric from my stash. I squared it up and then cut it in half diagonally to make a triangle. I narrow hemmed it and attached it to a pearl and rhinestone headband I found at a thrift store.




I patterned my pearl necklace after the one in the portrait of Margaret of Valois, Princess of France by Francois Clouet. I first made the dangle pearls by threading them on a beading wire and using a pliers to make a top loop and wrapping the rest of the wire around the loop. I strung these on beading wire alternating with small and large pearls and then crimped the fasteners on the ends.




 

 

Final Update



The handkerchief is finally finished. I’m very disappointed in the way my drawn-work turned out, but by the third side, I finally got the hang of it. I then added a narrow trim from my stash that resembles needle lace. It was pretty sorry looking for all the hours of work I poured into it so I decided to machine embroider a bit of white work on it. Despite it being only the third attempt at using my garage sale find machine, the embroidery worked out wonderful.




For the girdle I used a narrow piece of grosgrain ribbon and threaded on some metal ornaments I purchased from a fund raiser. I used a dot of glue from my glue gun to space them and a pearl in between each. I then hand sewed a smaller pearl on each side of the larger and gold seed beads where I caught the edges of the metal ornaments. I made a pearl tassel for the end and added a hook clasp.




Back to the flag fan I started the first month. I still wanted to use my parchment so I stamped a design on it. I painted a dowel and lace with the same gold paint. I used a nail and one of my leathercraft tools to pound a design into the parchment. I machine sewed the lace around three edges and hot-glued it to the dowel. I nailed three little brads through the parchment and into the dowel to secure it and touched them up with a little paint. I still plan to attempt my original flag fan plans but want to try making it on interfacing using my fancy embroidery stitches.




As I worked on the fur trim on my loose gown, I found it much more challenging working with real fur compared to fake fur. I nested the furs and hand stitched them together to make long strips and then attempted to machine stitch them to the gown front. It did not feed through the machine well and I ended up with a puckered mess I had to take apart. I then hand stitched the strips and then machine sewed them when the leather was encased between the gown and the blue lining fabric. I then hand stitched the outer edge of the fur while tucking in the legs. I turned the lining inside and hand tacked it down and then went back and machine stitched through all the layers close to the fur to help it lay better. I added a clasp to finish it off.




I finished the partlet and ruff by adjusting the pleating and machine sewing the ruff to the partlet and then adding a neck binding. I then machine hemmed all around the partlet and added ribbon ties.




I got a good start on the gown but wasn’t able to finish in time.